A Visual Analysis of Four Art Works

The primaeval rebirth was founded in Florence, Italy in the 15th century. It probably flousrished in Florence because of its location, being that it is in the center of Italy. This flowing was called Renaissance because it instrument rebirth There was a revival of interest in the classical fine art, targeted especially towards the ideas of Ancient Greece and capital of Italy.Artists during the period of they Early Renaissance tried to depict the human figure with elements like proportion, gestures and expressions, and realistic objects and clothing as well.They besides utilize otherwise techniques like modeling, which gives volume to rounder elements, and billet. These artists also tried to establish refreshing methods to portray three dimensionality, giving forms a more real and life like quality. They did so by observing humans and animals so that they could gain a better understanding of Artists of the Easty Renaissance tried to take a shit consistent forms with the rel eforefrontce to the world along with what multitude experienced on a daily basis. The guinea pig of paintings changed as they passed into Early Renaissance.The subject of art was used based on Roman hi legend and and from myths, as it slowly pointed and leaned more towards religion. Even though artists had the vast freedom of developing and exploring of using sensitive materials and techniques to slang to their works, more times they were only encouraged to puddle works with relevance to the Bible with the flexibility to take their own sucject matter. Some of the main characteristics of the art period of the Early Renaissance include harmony, proportion, realistic gestures andexpressions, wise posture, light, and color.Although the Italian Renaissance first bloomed and blossomed in the city of Florence, it soon spread to the city and capital of Italy, Rome. Rome was always know for its high living and its fine arts. By the beginning of the 1500s, there seemed to be a rapid growth of artistic creations that totally changed the city.The period of art and in history known to be as the High Renaissance, saw the bang of creative geniuses and their masterful and talented use of techniques and ideas that were first used in Florence. Many Europeans were drawn to this city, where the church offered enormous opportunities that could help artists achieve and become well known by a larger public. Due to the fact that the church had so very much control and offer over the Italian population and because of their contribution to art, many of the themes in art embodied religious themes.At this event time, painting especially reached its highest point of technicality with magnificent artistic imagination and incredible heroic composition.Renaissance encompassed many Classical elements that extracted the details and showed the world as it really was. Nonetheless, the artworks of the High Renaissance explored and seeked for a more patient of and unified architectura l bulgelook and pictorial represententation.There was an explosion of dramatic force in art forms that took in strong energy and created a more controlled equilibrium. Some of the main characteristics of artworks in the High Renaissance argon unity, balance, spatial harmony, light, colors, proportions, chiaroscuro (the use of lighting and shading effects), composition, and perspective.Artists of the Early Renaissance broke away from older styles and introduced new elements as well as techinques. However, it was those artists in the High Renaissance who not only mastered, but perfect these tchniques.The most obvious differences between the Early and the High Renaissaince is the shape of figures and the use of chiaroscuro. Painters of the Early Renaissance strongly leaned towards using three dimensionality, but the new technique still did not look quite right. For instance, in Fra Angelicos Lamentation Over dead(p) saviour, there is a sense of three dimensionality, but at the ali ke time if the viewer looks at it longer, it does not make sense.The figures look almost flat. Not to mention, the halos on the figures top has absolutely no sense of three dimensionality. Although he attempts to create the illusion, it does not quite add up together. In Michelagelo Buonarrotis The Creation of Man, it is evident to see that turn is not a flat figure. Michelangelo uses elements of chiaroscuro to create Adam as a full, voluptuous, and three dimensional figure.Michelangelo created many sculptures. Two singnificant sculptures, one created during the Early Renaissance and the other created during the High Renaissance, caught my attention. Even though two sculptures were created by the same artists, it is interesting to see that they are both very similar, yet at the very same time, they show significant changes and differences.David was created in the Early Renaissance. He is shown as an ideal human standing in a contraposto position, which are traces of Ancient Roman and classic sculptures.David encompasses features of a perfect human being such as strength, shown by the details of his muscles. Nonetheless, it seems that Michelangelos proportions are not quite right. His upper body, expecially his hands, seem larger. It is later on that Michelangelo shows us how he has evolved as an artists by creating Moses in the High Renaissance.I personally think that this is one of Michelagelos most life like and realistic sculptures. Moses encompasses so much intricate details that bring the sculpture to life. Unlike David, Moses portrays enormous amount of strengh, energy, and endeavor.The sculpture itself tells its own story through details such as muscles bulging out, thich swelling veins, his strong legs, and his tangled up beard. Michelangelo also shows better representation of proportion in this later sculpture of Moses.A Visual Analysis of quadruple Art WorksThe Renaissance, meaning rebirth or revival, was a revolutionary period that made a great impact on arts and culture. The Italian Renaissance is divided into three major phases Early, High, and fresh Renaissance (Rzepinska, 1994).Though centered in Florence, Italy slightly before the turn of the 1500, its profound intellectual and economic changes influenced perfect Europe for the next few hundred years (Rzepinska, 1994). Tired of the restricted secular teachings of the Catholic Church, people began to turn towards humanistic philosophy (Hollingsworth, 2003).There was a renewed, heightened appreciation for great craftsmanship, literature and high culture. Spiritual matters became a concern after Martin Luther questioned the Church in their selling of indulgences and usage of Latin in Scriptures that were only getatable to the rich and noble but not the poor (Hollingsworth, 2003). This ultimately led to the germination of Protestant reformation that transformed the spiritual landscapes forever as proven in many great works of art.The Early Renaissance was lead by scu lptor Donatello, architect Filippo Brunelleschi, and painter Masaccio (Bailey, 2003). They began the feat on the foundations that development and progress was integral to the evolution and survival of the arts.They found their inspiration form antiquity, creating realistic figures that portrayed personality and port (Woods, Franklin and Richardson 2007). Their work also greatly emphasized the laws of proportion for architecture, the human body, and position (Hollingsworth, 2003).The High Renaissance move to a generalized style of art that focused on drama, physical presence, and balance. Major artists of this period include Leonardo Da Vinci, Donato Bramante, Michelangelo, Raphael, and Titian (Woods, Franklin and Richardson 2007). The period lasted only from 1495 to 1520 as it was taken over by the Late Renaissance.This movement was put into motion by the sack of Rome in 1527, forcing artists to relocate to other artistic centers in Italy, France, and Spain and later paved way t o a new wave of thought known as the Mannerist movement (Hollingsworth, 2003).For the purpose of this assignment, I will analyze Fra Angelicos Lamentation over Dead Christ (1436-1441), Masaccios The Tribute Money, Jan van Eycks Arnolfini and His Bride, and Edouard Manets The Bar at the Folies Bergere.Lamentation over Dead Christ by Fra Angelico (1436-1441)The most obvious differences between Early and High Renaissance is the shape of figures and the use of chiaroscuro an element in art defined as a bold contrast between light and dark (Bailey, 2003). Painters of the Early Renaissance strongly leaned towards using perspective a system for creating an illusion of depth or three-dimensional space on a two-dimensional surface (Bailey, 2003).However, the technique seemed fraught with problems. For instance, in Fra Angelicos Lamentation over Dead Christ, there is the sense of denied aerial perspective, but if the viewer looks at it longer, the figures and their halos appear flat. The art ist fails in his attempts to create a vivid and alive mythical illusion.The usage of halos are significant at it deconstructs the visual perspective of lines emollientening the image especially against the predominant angular crucifix. The arrangement of the halos also provide a soft and rhythmic motion of a wave that helps to distract the viewer from an emotionally hardened image of Christ dying.The artist utilizes a vivid color of the robes that personally, seems to as if represent the blood that is supposed to flow out of Christ. On the crucifix, there is minimal trace of blood in what would should have been a dramatic and tragic part of Christs life. Also notice the surrounding figures and their lack of emotional expression on their face and no trace of tears.Their robe seems to express more motions than anything else in the artwork. Lighting-wise, the halos are to create a luminous setting for what is supposed to be a fabulous, surreal moment in Christianity. Note to client Ne ed more detail here to balance out the other analyses you have done so this wont come out uneven.